SM YE HONG XING PORTFOLIO（2021-12-28 updated）
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CONTENT 目录 Artist Introduction Latest Works Artistic Collaborations Curriculum Vitae 艺术家介绍 近期作品 跨界艺术合作 简历
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Eclosion 羽化 “这件作品以我通常使用的语言元素，比如纷杂的各种不相关的形象，以及穿插在画面里的抽象符号和 线条，并结合古典绘画和宗教绘画的图示构成方式，呈现出某种有关世界秩序的隐喻和宗教精神的氛 围，表达的是对现实世界的一种新的升华和蜕变的期待。”--叶红杏 “For the Eclosion series, with the elements of Ye Hongxing’s iconic visual language, such as a variety of intricate and unrelated figures, as well as the abstract symbols and the lines structuring the picture, the artist combines the iconographic composition of classic religious painting to conduct a metaphor of the order and a atmosphere of the religious spirit, furthermore, to indicate her expectation for the evolution and the stunning transformation of the reality.” --Ye Hongxing Supernovas 超新星 “超新星这个系列的作品由点，线等基本元素构成主体，形态特征为对称、延伸、循环。线性结构代表 一种连接、稳定与和谐的关系，而放射状的向心结构则凝聚了某种精神力量，传达出某种能量的聚变 性，以及超越宇宙的无限空间性。”--叶红杏 “In her latest Supernova series, Ye Hongxing’s works are composed of basic elements such as points, lines, characterized by symmetry, and geometrical figures which Evoque movement and circulation of energy. The linear structure represents a relationship of connection, stability and harmony, while the radial centripetal structure coalesces a certain spiritual power, conveying a fusion of certain energy and the infinite spatiality that transcends the universe. Radial symmetry is created when an image is symmetrical around a central point or axis, like a sunflower viewed head-on. Radial symmetry creates a strong sense of unity in a work of art, and is common in sacred images.”--Ye Hongxing
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“飞鸟” The static trance of the artist peaceful expr ession, painted in grey with closed eyes and often blurr ed is starkly contrasted with the bright colors of the floral designs. The dramatic and the d ull are fused to expr ess an artist’s reflection on the adaptation and change within China’s social system. She uses her own face in a meditative state, borr owing from the Buddhism idea of oneness or “wo shi zhongsheng, zhongsheng shi wo” to r epresent all of humanity. The dilemma in her work becomes how to maintain cultural characteristics and natural landscapes visible in a developing society , without living in the past. Furthermore, how does a person or nation pr ogress without selling out their envir onment, beliefs and culture. 画中的艺术家神情平和，灰色的色调下眼睛闭合，形影往往模糊， 气质是静止的固态，却与花形图案的鲜艳色彩形成鲜明对比。这种 模糊与鲜艳的融合成为其众多作品的一种独特风格，表现出艺术家 对中国社会变革适应过程的探索和思考。 艺术家本人的脸庞出现在众多作品中，这是借用了佛教中“我是众 生，众生是我”的理念，体现出广义普世的理念。艺术家面临的困 境
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KSANA NO.3 刹那 NO.3 MIXED MEDIA ON CANVAS 布面综合材料 120 X 120 CM 2019
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DIAMONDS AND RUST NO.5 钻石与铁锈 NO.5 MIXED MEDIA ON CANVAS 布面综合材料 160 X 360 CM 2019
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JUNGLE NO.8 丛林 NO.8 MIXED MEDIA ON CANVAS 布面综 合材料 120 X 200 CM 2017 JUNGLE NO.16 丛林 NO.16 MIXED MEDIA ON CANVAS 布面综 合材料 120 X 200 CM 2017
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Ye Hongxing began working with stickers in 2009. With these works, a new sense of production was created. The foundational layer of her work is a painting, while the con- ception of her work allows for spur of the moment changes during the sticker placement process. The production is not merely the physical embodiment of the idea, but an insepara- ble part of the creative process itself, with the fitting together of stickers and matching of colors a form of meditation. 从2009年起，叶红杏开始使用贴纸进行创作。 叶红杏创作基础就是绘画，她的创作理念使得能够良好地适 应这个时代地瞬 息万变。这种创作的过程不仅仅是艺术灵感 的实际化身，更是艺术创作本身不可分离的一部分。这种过 程是通过贴纸的良 好集合和色彩曼妙搭配而来的。 STICKERS AS A MEDIUM 以贴纸为载 MIXED MEDIA ON CANVAS 布面综合材料 120 X 200 CM 2015
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Mandala No. 26 Mixed media on canvas 120 x 120 cm
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In the new series of artworks titled “Order”, Hongx- ing used toy stickers in order to create a banknote artwork in a ritual way with the tendency of forming something sacred: the symbolism of the stickers and the toys is adjusted to the extreme classic and sophisticated banknote pattern. Two opposite ten- dencies are interwoven in the same image. Through this col- lision, the artist wants to make audience question its values and tradition by giving them the new “Order” that will hopefully lead them to the multi-di- rectional thinking. 在秩序这个系列的作品中，叶红杏用贴纸和玩具这些世 俗的材料痛构筑带 有某种仪式感与神圣感的钱币形式， 各种符号化的贴纸被规范于钱币的极 度经典与成熟的图 案中。两种相反、想被离的趣味，交织在同一画面。通 过这种冲撞，试图让观者对我们所处社会的价值观和秩 序产生某多向的思 考，也对我们很多传统和世俗的价值 观进行反思。
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YE HONGXING AND MONSIEUR LOUBOUTIN 叶红杏与鲁布托先生的 合作 Louboutin opened its doors on December 7 to present Hongxing’s solo exhibition “A Dazzling Future” in its Miami Design District boutique. The Louboutin boutique in Miami’s Design District is a space where art, design,and fashion seamlessly merge to create a one‐of‐a‐kind shopping experience “The multiple pop visions of Ye Hongxing fit perfectly [with] the brightness of Miami,” said Louboutin when asked about the partnership. (Extract from the article of an online Quest magazine from Dec 11, 2012) 法国品牌克里斯提·鲁布托2012年12 月7日在其美国迈阿密旗舰店举办了 叶红杏个展“炫彩未来”。 鲁布托的迈阿密旗舰店是一处将艺 术、设计和时尚融合的空间，为给 人以全新的购物体验。 关于这次合作，品牌提到：“极具多 元波普气息的艺术家叶红杏完美契 合了热情洋溢的迈阿密。” （摘自2012年12月11日某线上评论 杂志的报道文章）
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“I think there exists a lot of uncer- tainty in art, and we need to experiment, de- stroy, build, and shape it during the creative pro- cess. 我觉得艺术的创作充满不确定性， 要在创作的 过程中去不断实验、破坏、建立、 成型。” YE HONGXING 叶红杏
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FOR MORE INFORMATION REGARDING THE ARTIST 更多关于艺术家信息 请联系艺术＋上海画廊 PLEASE CONTACT ART+ SHANGHAI GALLERY [电话已省略] [邮箱已省略] [网址已省略]