LuYang BANK ART SG WP 0114
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陆扬 Lu Yang 1P1 PLATFORM 電磁腦神教！ 陆扬 3D 动画，5 频道 1 3分3 5秒 2017 電磁腦神教四神之火神 陆扬 丝线刺绣，金属结构 170x155x30cm 2020 未生像 陆扬 陶瓷 55x35x20cm 2021 Electromagnetic Brainology! Lu Yang 3D animation, 5 channels 13 min 35 sec 2017 Fire Deity from Electromagnetic Brainology Lu Yang Silk thread embroidery, 1 metal structure 170x155x30cm 2020 The Statue of Unborn Existence Lu Yang Ceramic 55x35x20cm 2021
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Electromagnetic Brainology! 櫮ᏺ尝ᐟරѺ Media: 5-channel video installation Electromagnetic Brainology 13 min 37 sec Air 2 min 24 sec Earth 1 min 43 sec Fire 2 min 23 sec Water 3 min 51 sec Recent Work Exhibition History ᬪ๗ߝ֢ݥܲ 2022 Zabludowicz Collection, London 2021 Digital Descending, ARoS, Aarhus 2019 Kulturforum, Nationalgalerie – Staatliche Museen zu Berlin 2018 Lu Yang: Encephalon Heaven, M WOODS, Beijing, China Electrommagnetic Brainology, Electromagnetic Brainology, Âme Nue, Hamburg, Germany 2017 Electromagnetic Brainology, Spiral , Tokyo, Japan Electromagnetic Brainology - White Rabbit Gallery, Sydney, Australia Collection ԋතᡐ M Woods Museum ๙๙ᗦḅ Zabludowicz Collection
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Installation view of LuYang, LuYang NetiNeti at Zabludowicz Collection, London, 2022. Photo: David Bebber. Courtesy of the artist, Zabludowicz Collection and Société, Berlin.
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Installation view, Cyber altar, Art Basel Hong Kong, Hong Kong, 2019
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Installation view of LuYang, LuYang NetiNeti at Zabludowicz Collection, London, 2022. Photo: David Bebber. Courtesy of the artist, Zabludowicz Collection and Société, Berlin.
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CHAT (Centre for Heritage, Arts and Textile), Hong Kong
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三州鬼瓦Sansyu Onigawara F鬼瓦，或獸面瓦是安裝於屋頂四角，有獸面花紋的瓦。 古人相信有辟邪，除災的作用。在中國鬼瓦常見於唐代 之前的建築，從宋代以後逐漸減少使用。鬼瓦文化與奈 良時代傳入日本，至今一直被普遍使用。傳統鬼瓦多有 鬼面或家紋組成。日本爱知县三州一代生產高質量的 黏土，因靠海享有運輸至江湖的便捷條件，从18世紀初 期進入鬼瓦高產期，有300年以上的歷史。當地的鬼瓦 製作者被稱為“鬼師”，定制鬼瓦，還肩負修復國寶，文 化遺產的重要工作。 Onigawara or ogre (oni) tiles are a type of roof ornamentation found in Japanese architecture. They are generally roof tiles or statues depicting a Japanese ogre (oni) or a fearsome beast. The ancients believed that it had the effect of warding off evil spirits and eliminating disasters. In China, ogre tiles are commonly found in buildings before the Tang Dynasty, and their use has been gradually reduced since the Song Dynasty. Ogre tile culture was introduced to Japan during the Nara period and has been widely used today. Sansyu area in Aichi Prefecture, Japan produces high-quality clay. Because of the convenient transportation to rivers and lakes by the sea, it has entered a high-yield period of ogre tiles from the early 18th century with a history of more than 300 years. The local ogre tile makers are called “onishi (ogre masters)”, customizing ogri tiles, and are also responsible for the important work of restoring national treasures and cultural heritage.
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2009 The Power of Reinforcement, Zendai MOMA, Shanghai, China GROUP SHOWS 2023 Comparative Hell: Arts of Asian Underworlds, Asia Society Museum New York, USA; followed by Asian Art Museum from June 16 to September 18, 2023, USA, February 7 - May 7, [电话已省略] Fantastic Heart, Parasite, Hong Kong 6th BIAN - International Digital Art Biennial - METAMORPHOSIS - MUTATION, by ELEKTRA at Arsenal Contemporary Art Montreal, Canada Screening event "The Future is Here, Are You Coming?”, University of Chicago, US Epoch Wars, Performing Lines, Australia Buddha10, A fragmented display on Buddhist visual evolution, Fondazione Torino Musei, Italy Munch Triennial: The Machine is Us, Munch Museum, Oslo, Norway GOGBOT Festival, Enschede, Netherlands Indonesia Bertutur 2022, Indonesia In Search of the Present, Espoo Museum of Modern Art (EMMA), Espoo, Finland Cloud Walkers, Leeum Museum of Art, Seoul, Korea No False Idols, 4A Centre for Contemporary Asian Art, Sydney, Australia Supercreativity, FILE (Electronic Language International Festival), Fiesp Cultural Center, Ruth Cardoso, San Paolo, Brazil Slip.Stream.Slip - Resistance and velocity in game engine culture, School of Digital Art (SODA) Gallery, University of Manchester, Manchester, UK Unidentified Fluid Other (UFO), Nxt Museum, Amsterdam, Netherlands The Milk of Dreams, Venice Biennale, Italy Hacking Identity- Dancing Diversity, Möllerei, Luxembourg, organized by ZKM Center for Art and Media, Germany
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A group exhibition on the influence of CGI on art practice, The Center for Contemporary Art, Tel Aviv, Israel Sunset Kino, an outdoor, avant-garde film program, Salzburger Kunstverein(museum), Austria Refiguring Binaries, Pioneer Works, Brooklyn, New York City, US Computer Grrrls, La Gaité Lyrique, Paris, France Computer Grrrls, MU artspace, Eindhoven, Netherlands OCT Boxes Art Museum, Shenzhen, China The Coming World, Garage Museum of Contemporary Art, Moscow, Russia OnLife Convention, Milano, Italy Art House Cinema ACUDkino, Berlin, Germany Shanghai Himalayas Museum, Shanghai, China NGUYEN CONG TRI 20 Years of Fashion, Ho Chi Minh City, Vietnam 2018 ONE WORLD EXPOSITION 2.2#like4like,Hong Kong Arts Centre, Hong Kong Customized Reality: the Lure and Enchantment of Digital Art, National Taiwan Museum of Fine Arts, Taichung, Taiwan Diesel Worm, Roskilde Festival, Roskilde, Denmark Vector Festival / Flagship Group Exhibition, InterAccess Gallery, Toronto, Canada Lumen Quarterly, World Organization of Video Culture Development, UCCA (Ullens Center for Contemporary Art), Beijing, China FUTURE FLASH 200, from Frankenstein to Hyperbrain, GOGBOT Festival for Creative Technology, Enschede, Netherlands Computer Grrrls, HMKV-Dortmund, Germany / La Gaité Lyrique - Paris, France Nowness Anniversary Exhibition, Shanghai, China True Self, Beijing Contemporary Art Foundation, Beijing, China Digital Art Festival Taipei, Taipei City, Taiwan AN IM AL Art Science Nature Society, City University of Hong Kong, Hong Kong TAxT Taoyuan Science and Technology Festival, Taoyuan City, Taiwan Big Workout-Annual International Project III, Art Museum of Nanjing University of the Arts, Nanjing, China
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2015 WECHAT , Wesleyan University, Middletown CT , U.S. I SEE International Video Art Festival, OCT , Guangzhou, China The 6th Moscow Biennale, Pavilion No. 1 of the Exhibition of Achievements of the People’s Economy, Moscow, Russia Asian Arts Space Network, Asia Culture Center, Gwangju, Korea The Wrong Digital Art Biennale, Intelligentsia Gallery, Beijing Imaginary Circle, Asia-Plastic Myths, ACC (Asian Culture Complex), GwangJu, Korea Both Sides Now 2 – It was the Best of Times, it was the Worst of Times?,Videotage, Hong Kong Renzez-vous Institute of Contemporary Arts, Singapore DeMonstrable, Lawrence Wilson Art Gallery, The University of Western Australia, Perth, Australia Dirty Looks NYC – Bad Asians, New York The Heart is a Lonely Hunter,YARAT Contemporary Art Centre, Baku, Azerbaijan Psycho/SOMATIC – Visions of the Body in Contemporary East Asian Art, Allen Memorial Art Museum, Oberlin, U.S. Click Festival, Denmark All World’s Future – Other Future, Chinese Pavilion at Venice Art Biennale 2015,Venice, Italy INHUMAN, Fridericianum museum, Kassel, Germany Transcending Tibet-Mapping Contemporary Tibetan Art in the Global Context, New York, U.S. New Directions In Chinese Animation Institute of Contemporary Art, Boston, U.S. Essential Experiments, BFI, King’s College of Arts, London, UK Winter Film Awards 2015, Indie Film Festival, New York, U.S. 2014 Performance and Imaginations: Photography from China [电话已省略], Stavanger Art Museum, Norway The 5th Fukuoka Asian Art Triennale, Fukuoka Asian Art Museum, Fukuoka, Japan MOMENTUM_InsideOut Screening Nightly, Berlin Art Week, Berlin, Germany The IV International Biennale for Young Artists, the Museum of Moscow, Moscow, Russia
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The Quantity Bears Identity - How Shanghainese people treat themselves in a public transport, KultFlux Art Space, Vilnius, Lithuania PRESENT exhibition, CANART , Shanghai, China Yang Chang Xiao Dao, Am art space, Shanghai, China Itchy Young Artist Group Show, Biz Art, Shanghai, China 2008 Small production - No.5, Shopping Gallery, Shanghai, China Fractal Note–9/9, Metoo Space, Hangzhou, China Spade, T-space, 798 Art Zone, Beijing, China 2007 “Pierre Huber Creation Prize 2007”, Biz Art, Shanghai, China what’s the time? Beijing, Shanghai Hangzhou New Media Art Exhibition, Creek Art Gallery, Shanghai, China fruits of experimental contemporary art education in China, Zendai Museum of Modern Art, Shanghai, China Art Warming New Media Artists Exhibition, Duolun Museum of Modern Art, Shanghai, China New Directions from China, New Media Art exhibition from China, Plug In Basel, Switzerland Graduation Exhibition of New Media Art department 2007 , CAA”Gallery of China Academy of Art, Hangzhou, China Fruits, Done8 Art Exhibition Art Center, Shanghai, China 2005 Random Code, Exhibition of Young Artists from the 80s Art gallery of Hangzhou Teacher, college, Hangzhou, China RESIDENCY PROGRAM ACC Grant Artist in residency , New York , 2014 (Residency Unlimited,NYU) TASML | DSL artist residence @ symbioticA (Australia, Perth), [电话已省略] Arts Chiyoda (Japan, Tokyo) , 2013
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Press Report from ZABLUDOWICZ COLLECTION