画廊 / 艺博会预展 · 2025 · 27 页

[Ropac] Tom Sachs Seoul Exhibition 2025 Preview EN

Thaddaeus Ropac

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[Ropac] Tom Sachs Seoul Exhibition 2025 Preview EN

内容导航

01正文与记录 · 第 1 页 02正文与记录 · 第 3 页 03正文与记录 · 第 5 页 04正文与记录 · 第 9 页 05正文与记录 · 第 12 页 06正文与记录 · 第 14 页 07正文与记录 · 第 16 页 08正文与记录 · 第 18 页 09正文与记录 · 第 20 页 10正文与记录 · 第 23 页 11正文与记录 · 第 25 页 12正文与记录 · 第 27 页

P. 1–1

正文与记录 · 第 1 页

Tom Sachs "Picasso" 29 April—31 May 2025 Seoul Fort Hill

P. 3–3

正文与记录 · 第 3 页

Woman with Orange, 2025 Enamel and ferric nitrate patina on silicone bronze with stainless steel hardware 180.3 x 73.7 x 63.5 cm (71 x 29 x 25 in) (TSA 1537)

P. 5–5

正文与记录 · 第 5 页

Tête, 2025 Enamel and ferric nitrate patina on silicone bronze with stainless steel hardware 147.3 x 81.3 x 66 cm (58 x 32 x 26 in) (TSA 1539)

P. 9–9

正文与记录 · 第 9 页

Head, 2025 Ferric nitrate patina on silicone bronze with stainless steel hardware 43.2 x 27.9 x 30.5 cm (17 x 11 x 12 in) (TSA 1538)

P. 12–12

正文与记录 · 第 12 页

Femme au Béret à la Robe Quadrillée , 2025 Synthetic polymer and ink on canvas 121.9 x 101.6 cm (48 x 40 in) (TSA 1542) Sachs leaves traces of the works’ creation apparent through visible measurement lines and dimensions: where previous examples from the series recreated Picasso’s works at their original scale, in these recent examples, Sachs dramatically scales up some of the paintings, drawing attention to the process of reproduction. As the artist says: ‘“Painting” is a verb. It’s an action, it’s an activity. All these paintings are about the process of making them more than the finished product.’ By encouraging visitors to engage with this process, Sachs invites them to examine their own relationship to art-historical artefacts.

P. 14–14

正文与记录 · 第 14 页

Woman Seated in a Chair, 2025 Synthetic polymer and ink on canvas 148.6 x 109.2 cm (58.5 x 43 in) (TSA 1541)

P. 16–16

正文与记录 · 第 16 页

Blue Tanagra, 2024 Enamel, lacquer, latex and ferric nitrate patina on silicone bronze with stainless steel hardware 50.2 x 19.1 x 15.2 cm (19.75 x 7.5 x 6 in) (TSA 1524)

P. 18–18

正文与记录 · 第 18 页

Femme à la Couronne de Fleurs , 2025 Synthetic polymer and ink on canvas 152.4 x 101.6 cm (60 x 40 in) (TSA 1543)

P. 20–20

正文与记录 · 第 20 页

Femme au Chapeau dans un Fauteuil, 2025 Synthetic polymer and ink on canvas 73.7 x 67.3 cm (29 x 26.5 in) (TSA 1545)

P. 23–23

正文与记录 · 第 23 页

Femme Nue, 2024 Graphite and china marker on paper 76.2 x 55.9 cm (30 x 22 in) (TSA 1557)

P. 25–25

正文与记录 · 第 25 页

Guernica (Étude), 2025 Gesso, synthetic polymer and graphite on paper 38.1 x 27.9 cm (15 x 11 in) (TSA 1551)

P. 27–27

正文与记录 · 第 27 页

Georg Baselitz Ein Bein von Manet aus Paris 26 April—26 July 2025 Paris Pantin Hans Hollein Works from the 1960s Until 31 May 2025 Martha Jungwirth Der letzte Tag ist der schlimmste Until 31 May 2025 Salzburg Villa Kast Paris Marais Current & upcoming exhibitions Ilya & Emilia Kabakov Kammermusik 7 June—19 July 2025 David Salle Some Versions of Pastoral Until 8 June 2025 London Ely House Hans Josephsohn Sculptures 1952—2002 26 April—28 May 2025