PREVIEW - Art Basel Switzerland 2026
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ART BASEL SWITZERLAND June 16 - 21, 2026 Booth L24, Hall 2.1 ©2026 T akashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin
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Jepp e HEIN Ring of Balloons , 2026 High polished steel, PVD coating (light blue, gold, dark blue, green, purple, dark blue, gold, silver, purple, green), powder-coated steel 189 × 105 × 60 cm | 7 4 7 /16 × 41 5/16 × 23 5/8 inches Unique #93180 Outdoor sculpture 160 000 € Without tax
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K l a r a K R I S T A L O V A Bird Disguise, 2019 Bronze 126 × 38 × 50 cm | 49 5/8 × 14 15/16 × 19 1 1/16 inches 3/3 Editions + 1 AP #91452 Outdoor sculpture 85 000 € Without tax
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©2026 T akashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin Tan Tan Bo, in a sense a reincarnation of Mr. DOB as a monster, is based on a manga character created by Mizuki Shigeru, a favorite of Murakami’s when he was a boy, in the form of a phantom consisting solely of a giant face spitting out phlegm from its mouth. The complex image of the phantom reflects Murakami’s personal anxiety regarding the expanding development of nuclear power. T a k a s h i M U R A K A M I Untitled, 2026 Acrylic, gold and platinum leaf on canvas mounted on aluminum frame 200 × 200 cm | 78 3/4 × 78 3/4 inches Unique #93134 [金额已省略] Without tax
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M r . X T a k a s h i M u r a k a m i Untitled, 2026 Acrylic on canvas mounted on aluminum frame 60 × 60 × 5.08 cm | 23 5/8 × 23 5/8 × 2 1/16 inches Unique #93141 [金额已省略] Without tax 5 year Right of First Refusal Agreement ©2026 Mr./T akashi Murakami/Kaikai Kiki Co., Ltd. All Rights Reserved. Courtesy Perrotin
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HANS HARTUNG THE INVISIBLE CHORD. HANS HARTUNG AND MUSIC Fondazione Querini Stampalia, Venezia May 5 – September 30, 2026 Curated by Thomas Schlesser and presented by Fondazione Querini Stampalia and Hartung-Bergman Foundation in collaboration with Perrotin. Bringing together nearly eighty paintings, documents, and working tools, the exhibition explores the central role of sound in the artist’s plastic and existential universe. From Bach to Pink Floyd, including composers such as Lili Boulanger, a landscape of energies, gestures, and resonances runs throughout his entire body of work. This sonic dimension subtly extends into the exhibition itself, with a soundtrack that can be enjoyed both on site and remotely. A gifted dancer and pianist in his youth, Hans Hartung was obsessively devoted to music—a true melomaniac, bordering on pathology. He abhorred silence. In a 1948 letter, Pierre Soulages recounts: “His radio s always on—when he comes to see me, he cannot resist playing his favorite records.” He adds: “Even moments of rest, and especially of work, were almost unbearable for him without music.” Hartung’s paintings are thus suffused with a sonic climate of rhythms, harmonies, and vocal or instrumental outbursts. Though silent, his work secretes melodic flows within its very fibers, emanating from the composers herevere Hartung was never a theorist of the relationships between sound, color, and form. Unlike artists such as Kandinsky, Schönberg, and their followers, who pursued synesthetic or intellectual explorations, his relationship to music was far more direct: physical, intuitive, and pragmatic. In short: without music, no pictorial creation, and without creation, no reason to exist, since for the artist, “the joy of living is inseparable from the joy of painting.”
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Jesús Rafael SOTO Blanca y amarilla, 1998 Paint on wood and metal, nylon 68 × 122 × 20 cm | 26 3/4 × 48 1/16 × 7 7 /8 inches Unique #[电话已省略] € Without tax Exhibition The Estate of Jesús rafael SOTO
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M a r k R Y D E N La Coiffure, 2026 Oil on panel in sgraf�to frame 85.7 × 85.7 cm | 33 3/4 × 33 3/4 inches (framed) 63.5 × 63.5 cm | 25 × 25 inches (unframed) Unique #92412 [金额已省略] Without tax 5 year Right of First Refusal Agreement
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Where the Pigment Paintings place raw, unmixed pigment grains onto white grounds in a dynamic gesture — reducing painting to its most elemental encounter between matter and surface — the Sand Paintings work against black. Sand, unlike pigment, is not absorbed by a dark ground; its reflective quality, shared with the glass fragments also present in both series, allows it to hold its presence and catch the light. They nonetheless retain the same tactile immediacy: a surface physically shaped at close range, where every movement remains visible.
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P a o l a P I V I New life, 2026 Bronze 70 × 45 × 41 cm | 27 9/16 × 17 1 1/16 × 16 1/8 inches 1/3 Editions + 2 AP #[电话已省略] € Without tax
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S H I M M o o n - S e u p The Presentation, 2022 Acrylic on canvas 162 × 1 14 cm | 63 3/4 × 44 7 /8 inches Unique #7 4928 [金额已省略] 10,000 Without tax
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J a s o n B O Y D K I N S E L L A Janne, 2026 Oil on canvas Framed : 124 × 104 cm | 48 13/16 × 40 15/16 inches Unique #91161 [金额已省略] Without tax 5 year Right of First Refusal Agreement