BANK 2026NewEarth withlinks WP
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The Former Residence of Ho Tung, White Building 5F , 475 North Shaanxi Road, Jing'an,Shanghai 何东旧居·白楼 5 层（上海市静安区陕西北路 457 号）
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Zhifan 䛧䛧⃣⃣ Crater Tindr Velarium Callisto ⺹⬖㎠♓ 彰㓧䫹 㘪≭◝, 2023 Oil on linen ⴅᴌ㮻䐽 90 x 70 cm [金额已省略][电话已省略],000
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Cao Shuyi 㗻㗻儔儔⼣⼣ Shellwort #1 & Shellwort #2 , 2025 Stainless steel and glass ᴏ搊掤Ⱦ䊽䎅 #1: 32 x 58 x 30 cm #2: 12.5 x 28 x 24 cm [金额已省略]
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Matthew Brandt 楮楮ỰỰ·ⴅⴅ䅻䅻 Rainbow Lake ᴅ㵘, 2013 C-print soaked in Rainbow Lake water C-print 㱺㘋ᴅ㵘㬶 50.8 × 76.2 cm [金额已省略] 9
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Wendi Yan 枞枞㒉㒉䨝䨝 Visions of Phosphine Earth 䟹䐡⸄季, 2025 Single channel video ≗峱壈枓 13 min 10 sec 13 ℈ 10 䣔 Edition 2 of 4 + 1 AP (#2/4) [金额已省略] Viewing Link 观看链接 : [网址已省略] (Password: Phainoterra)
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Lore Vanelslande 㰝㰝⬖⬖·㞷㞷⛅⛅ᴟᴟ⺹⺹ No.1, 2010 Ink on paper 䶺㘮➪㬶 33 x 31 cm [金额已省略] 14
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Joey Xia ⠑⠑ᵖᵖḌḌ Elements of Shanghai Camo:Water Filterᴌ㱹廹⁅䰢:㷦㬶╪, 2025 Signed at the Back Cotton, nylon, buckle, aluminum rod 㟋澱⬾溛澱搃ㅥ澱揟㙈 160 x 120 cm [金额已省略] 16
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Lin Ke 㚙㚙䣓䣓 Signal Tree in the Rain/Screenshot [电话已省略].04.15 旪ᴯợ⋹㜓/ㄬ⭑ [电话已省略].04.15, 2024 UV printing on nano sponge UV ㅕ≲☪䶵䭵㱹䷷ 123 x 186 cm [金额已省略] 18
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Tim Crowley 㛱㛱⡿⡿䌈䌈 Untitled 㓢枚, 2022 Oil on canvas ⴅ晤㮻䐽 160 x 120 cm [金额已省略] 22
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Yanyan Huang 黄彦彦 Born 1988 in Sichuan, China, Yanyan Huang is based between Beijing, New York, and California. De - riving influence from a wide span of cultures and time, her work maps out an elaborate array of tem - poral geographies, identities, and relationships. Using spontaneous brushstrokes, Yenyan attempts to question and transcend the bifurcated traditional Chinese and Western painting aesthetic, but the nutrients drawn from it leave their mark in the colours of the images, romantically transforming per - sonal experience and social context. 黄彦彦 （生于1989年， 四川 ） ， 工作居住于北京、 纽约、 和加州。 她的作品汲取多种文化和时期的影响， 精巧地呈现 了一系列的时空地理、 身份和情感。 黄彦彦使用自发性的笔触， 试图质疑和超越两元分化的中西方传统绘画审美， 但是从其中汲取的养分在画面的色彩中留下痕迹， 浪漫地转化了个人经验和社会语境。
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Maik Wolf 麦可·沃尔夫 Maik Wolf (born in 1964 in Pirna, Saxony, Germany) is a German artist whose work is characterized by expressive imagery, neo-romanticism, the aesthetics of virtual spaces, appropriation of digital image archives, grotesqueness and politically engaged ambivalence. He established himself as an artist in the 1990s and had his first solo exhibition in 1995 as part of Maik Wolf – Vier of the Philip-Morris- Kunstförderung, Dresden, Germany. Among his most important awards is the 2006 Falkenrot Prize, which he received at the Künstlerhaus Bethanien in Berlin, Germany. He lives and works in Berlin. The essence of Wolf's work is the transformation of established visual structures and the reinterpretation of emotional and existential themes such as loneliness, beauty, ecstasy, and transience. He often works with fantastical, pseudo-spiritual and surreal contexts. His compositions, which are related to magical realism, feature uninhabited landscapes or unknown galaxies and create a neo-romantic, dreamy and melancholic atmosphere. His unusually cool colors and images, which seem to linger in the shadows of night and day, are typical of his work. The horizontal cuts in his architectural compositions interrupt the format of the image and reinforce the impression of depth and space. His works, which emphasize spontaneous artistic gesture and indeterminacy, reflect the realism of our times and profound existential questions. Maik Wolf exhibits mainly in Germany and Europe, but his work has also been shown in China and South Korea. Notable projects include Personal Structures at the European Cultural Centre in Venice, Italy; Wild Heart: Art Exhibition of German Neo-Expressionism since the 1960s, China Art Museum, Shanghai, China; Federal Earth, Gwangju Museum of Art, Gwangju, South Korea; and Prognostikon, Kunsthalle Rostock, Germany. His works are included in numerous collections in Germany and abroad, such as the Allianz Forum Berlin Collection, Berlin, Germany, the Berlinische Galerie – Museum für Moderne Kunst Collection, Berlin, Germany, the Manuel de Brito Collection, Lisbon, Portugal, the de Knecht Collection, Amsterdam, Netherlands, and the Worri Bank Collection, Seoul, South Korea. 麦可 · 沃尔夫 （Maik Wolf， 1964 年生于德国萨克森州皮尔纳） 是一位德国艺术家， 其创作以富有表现力的图像、 新 浪漫主义、 虚拟空间的美学、 对数字图像档案的挪用， 以及带有政治介入意味的怪诞性与暧昧性为特征。 沃尔夫于 20 世纪 90 年代确立其艺术实践， 并于 1995 年在德国德累斯顿的菲利普·莫里斯艺术资助项目中举办了首次个展 《Maik Wolf – Vier》 。 其重要奖项之一是 2006 年于柏林贝塔尼恩艺术家之家 （Künstlerhaus Bethanien） 获得 的 “猎鹰红奖” （Falkenrot Prize） 。 目前他生活并工作于柏林。 沃尔夫创作的核心在于对既有视觉结构的转化， 以及对孤独、 美、 狂喜与短暂性等情感与存在主义主题的重新诠 释。 他常在奇幻、 伪灵性与超现实的语境中展开创作。 其作品与魔幻现实主义相关， 画面中常出现无人居住的风景 或未知的星系， 营造出一种新浪漫主义式的梦幻与忧郁氛围。 其标志性的冷色调与仿佛游走于昼夜阴影中的图像， 构成了其独特的视觉语言。 建筑性构图中的水平切割打断了画面格式， 强化了空间与纵深感。 通过强调自发性的艺 术手势与不确定性， 他的作品映射了当下的现实处境以及深层的存在主义问题。 麦可 · 沃尔夫主要在德国及欧洲展出作品， 同时也曾在中国与韩国展出。 重要展览包括： 意大利威尼斯欧洲文化中 心的 “Personal Structures” 展； 中国上海中华艺术宫的 “狂野之心： 20 世纪 60 年代以来的德国新表现主义艺术 展” ； 韩国光州美术馆的 “联邦之地 （Federal Earth） ” ； 以及德国罗斯托克美术馆的 “Prognostikon” 。 他的作品被 德国及海外多家机构与私人收藏， 包括： 德国柏林安联论坛、 柏林现代艺术博物馆 （Berlinische Galerie） 、 葡萄牙 里斯本曼努埃尔 · 德 · 布里托、 荷兰阿姆斯特丹德 · 克内赫特 ， 以及韩国首尔 Worri Bank 等。
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Tim Crowley 柯好理 Tim Crowley (b.1972, England) lives and works in Beijing and Hangzhou, China. Crowley’s work is marked by his intensive and long involvement with all aspects of the global contemporary art industry. Practicing foremost as an artist, Crowley has also played many other roles throughout his long ca - reer, including curator, art space director, educator, art magazine editor, and documentary filmmaker. These roles have taken him to the far reaches of the earth and have seen him work with some of the best in the field. He has worked at White Columns gallery in New York and Tema Celeste magazine in Milan. He has been the International Director of KWM Artcenter in Beijing from 2016 to 2021, the curator of the Asia section of the Kino Der Kunst in Munich, and the International Consultant of BYAR - TMATTERS in Hangzhou since 2022. In his latest series of paintings, he draws from his vast experience, as well as his satirical sensibilities, to create a tongue-in-cheek dissertation on the possible future of contemporary art exhibitions. Crow - ley’s work has been showcased at the OCAT Shenzhen Biennial, Mercosul Biennale (Brazil), Perimeter Editions (Milan), and the Museum of the Central Academy of Fine Arts (Beijing). Crowley’s work is in the collection of the De Ji Museum (Nanjing), BYARTMATTERS (Hangzhou), and other prestigious col - lections. 柯好理 (1972年, 出生于英国) 在中国北京、 杭州生活和工作。 柯好理的作品取材于他长期深入地参与全球当代艺 术行业之中。 作为一名艺术家， 柯好理在他漫长的职业生涯中还扮演了许多其他角色， 包括策展人、 艺术空间总 监、 教育家、 艺术杂志编辑和纪录片制作人。 这些角色将他带到全世界各地， 也见证了他与这个行业内最优秀的人 的共事和合作。 他曾在纽约的White Columns 画廊和米兰的 Tema Celeste 杂志工作； 他于2016-2021年起担任 北京金杜艺术中心艺术国际总监以及慕尼黑 Kino Der Kunst 亚洲部分的策展人， 自2022年起担任杭州天目里美 术馆国际顾问。 在他最新的一系列画作中， 他取材于自己丰富的经验， 以及反讽性的敏感， 为当代艺术展览的未来走向创作了一篇 近乎玩笑的论文。 柯好理的作品曾在深圳OCAT双年展， 巴西 Mercosul 双年展、 米兰的 Perimeter Editions以及 北京中央美术学院美术馆展出。 柯好理的作品被南京德基美术馆、 杭州天目里美术馆及其他收藏。